
“They hold a glass of champagne on the one hand, and a whip on the other hand, to police those who do, in public, what they do in private.”
12 MAY 2021
As someone who has been away from social media for quite some time now, I have missed out on a lot of the rabble-rousing trends which South Africa’s infamous “Black Twitter” is known for. I did, however, stumble over this particular topic in the social media “village” – Facebook – a name popularized by the ama2000 generation as they affirm the move to Twitter as the cool kid in the tech-block.
The story of Zuki, which I believe started in the “village”, but was taken over by South Africa’s Black Twitter, came back to us “social media villagers” and we were able to see and follow some of the discussions happening in the Twitter timelines, otherwise known as the “TL”.
Zukhanye Lamani, popularly known as “Zuki” is no stranger to cause célèbre. From posing with the Springbok captain, Siyamthanda Kolisi, to Rachel Kolisi’s dissatisfaction, to trending for lambasting the President and Minister of Police, her many comic inducing live Instagram stories, and, of course, her alleged association with organized criminal syndicates, also known as “amaGintsa”. This time around the question of “amaGintsa” and her alleged consistent relationship with them has, yet again, resurfaced.
Though I do not plan to spend too much time analyzing the details of the popular case against her, it may be useful to give the reader who is rarely on social media a little context to the commotion. Perhaps to achieve this, it may be easier if I simply shared one of the many posts which trended when the story resurfaced.
@Danaigada tweeted;
“So Zulu Lamani was friends with Aviwe(murdered). Aviwe was murdered by her boyfriend in 2019 and the boyfriend happens to be Zukis current boyfriend.
Furthermore, because the boyfriend is a gangster Zuki uses him to go threaten pew pew on any of her trolls? Yah neh!”
This has essentially been the mood of the allegations against the rising social media star. Of course, among many other different interpretations and experiences about her alleged involvement and or association with criminal syndicates. Many have questioned the genuineness of her activism, as someone who has been very outspoken about the plight of women in South Africa.
Be that as it may, as I had expressed quite early, I will not be dealing with the veracity of these very strong allegations against her. I have taken this position and approach for two reasons. The first, is simply because I am neither an investigative journalist nor am I a court of law. Therefore, that task rests beyond my proficiency. Secondly, and perhaps more specific to this paper, I have chosen to wrestle with the doctrines, symbolism and science of ideas which prompt the onslaught on Zuki. It may also be worth mentioning that the onslaught may very well be legitimate and justified, but, in line with reason number 1, I leave that burden and responsibility to those with the necessary proficiency.
Mine, in a word, is to understand and present the ideological overtones and undertones which I believe not only steer the discourse around Zuki, but, as I will argue, create the conditions which place Zuki where she is alleged to be. In even simpler terms, I intend to persuade the reader, that many of those who claim to despise what they allege Zuki to have done or what she represents, are knowingly or unknowingly engaged in sowing the seeds which create and recreate the very environment they claim to detest.
I will largely be borrowing from the Social Identity Theory (SIT), particularly as it relates to Popular Culture or “Pop-culture”. To maintain my position above the fray, I must, first and foremost, propose a theoretical frame of reference to the commotion.
The Social Identity Theory owes it origins to social psychologist, Henri Tajfel. Of his many studies and experiments, we will be looking at the “Minimal Group Paradigm” as it was called. The experiment arbitrarily put individuals in random groups. It is important to emphasize that the allocation was completely random. There was no relation or basis, and the participants did not even know each other, nor did they share any similarity, other than being placed in random groups.
When the participants were then asked to allocate points and rewards to certain individuals in the study, the dominant trend was that they tended to reward and allocate more points to people who were in their superficial and arbitrary groups.
Even when presented with logical and objective truths, the study found that people favoured their groups, however random and superficial they were. Tajfel discovered, very early, that group membership is where individuals derive meaning in social experiences and interactions.
Three things happen when people define their place in society. First, they categorize, secondly, they compare, and thirdly, they identify. When one thinks about the emergence and energy of Pop-culture in South Africa, particularly as it is popularized, packaged and sold in social media platforms, one cannot help but think about it, in these three psychological processes.
Who does not want to pop bottles in the VIP section, dance on the table to amapiano, sip champagne or “champompo”, go strawberry picking or wine tasting, ride on a yacht, buy the latest designer clothes, and even more important than all of this; post about it on Instagram, Facebook or Twitter? It is as though the experience is wasted if it not posted online for others to see and emulate.
This sets in motion the psychological process defined in the social identity theory. Individuals categorize themselves by perceiving themselves in terms of the trending pictures, videos or snaps. Thereafter, they determine their value and social standing in relation to those who do not participate in the trendy pop-culture, and lastly, their own identity is implicated in the way in which they view their trendy social grouping against the other. In other words, people do not perceive pop-culture as detached observers, rather, their own sense of worth and meaning is derived from it.
When one observes the people, who are at the forefront of the onslaught on Zuki, you get to see the glaring inconsistencies and paradoxes. It is people who, themselves, subscribe to and encourage the social imagery and lifestyle which drives many to the tables of “amaGintsa”.
The proponents of “secure-the-bag”, and advocators of “soft-life” at all costs. Some may not sit with amaGinsta, but, they enjoy the company of corrupt politicians, fraudulent business people, the so-called “blessers” many of whom who make their money from criminality, drugs and or human trafficking. They enjoy all these niceties, whilst claiming oblivion and ignorance when it comes to the source of the funds which finance their weekends and getaways.
There is no average working salary which flies people to Dubai, fills up tables every weekend and distributes e-wallets like dust. Slovenian philosopher speaks of “known-knowns and known-unknowns”. However, he argues that the danger lies with the, “unknown-unknowns and unknown-knowns”. I want to suggest that the detractors of Zuki, and everyone else on the side-lines, pose as people who do not know what they do actually know. That it is a known-unknown, that pop-culture, in its current form, is financed by rampant corruption, iniquity and criminality.
The dishonesty in the craze is further exposed by the little and non-existent uproar towards the people who have allegedly committed the crime. The attention has wholly shifted away from the crime, itself, and has now become about Zuki. No one seems to be asking about the actual case, and whether justice has been served. Rather, it has all become a Zuki problem as though she is the one who pulled the trigger. What this suggests is that those making all the noise have no real and genuine concern about the case itself, nor do they have a problem with the spaces which harbour these abusers and criminal elements. They do not boycott any of these clubs and or restaurants. In fact, they still go to them and enjoy the luxury of VIP. Their only concern is Zuki. Even if she were to be removed from the picture, they would continue as though life were normal.
They are the worst kind of people. They hold a glass of champagne on the one hand, and a whip on the other hand, to police those who do, in public, what they do in private.

